Context Inquiry Report Persepolis - 1323 Words

Context Inquiry Report: Persepolis Textual Layout: Throughout the graphical novel it can be seen that Satrapi places the main text and ideas above the image, along with small speech bubbles to represent dialogue between individuals in the images. She may have done so for the purpose of ensuring that the main ideas and text are clear to read. The speech bubbles in the images can be considered to be the supporting bits of detail that enrich the overall understanding of the topic. The images also lack color, the main colour scheme only being black and white. This can signify something to do with the ideas of the story, such as the idea of those for and against the veil, therefore Satrapi may be using the two colours to contrast personalities, situations, or views. For instance, we can see that in certain situations such as the image involving the Islamic Revolution, the image depiction contains more black in the image which may support the thought of the revolution being bad in Satrapi’s opinion. It should however be noted that t his is not always the case. In some situations, the images may contain black and white to outline or contrast things such as objects, furniture, people, and buildings. The images show how Satrapi saw her childhood, there was what seems to be shock due to the substantial change in living conditions. At one point Satrapi was attending a French non-religious school and living a normal life, then suddenly there is a radical change to everything. There isShow MoreRelatedRosalind Krauss - Photographys Discursive Spaces9350 Words   |  38 Pagesordinary elements of topographical description had to be restored to the image produced by Fig. 1 Timothy OSullivan, Tufa Domes, Pyramid Lake (Nevada), 1868. Fig. 2 Photolithograph after OSullivan, Tufa Domes, Pyramid Lake, Published in King Survey report, 1875. Winter 1982 311 OSullivan. The coordinates of a continuous homogeneous space, mapped not so much by perspective as by the cartographic grid, had to be reconstructed in terms of a coherent recession along an intelligibly horizontal plane